Tobacco History:
The Social History of Smoking
by George Latimer Apperson
First published in 1914
"The Social History of Smoking" by George Latimer Apperson, can be purchased at Amazon.com in two different versions. Depending on the quality of the edition, prices range between $35 and $104.
From Chapter 3: The tobacco-tongs were more properly called ember-or brand-tongs. They sometimes had a tobacco-stopper riveted in near the axis of the tongs, and thus could be easily distinguished from other kinds of tongs. An example in the Guildhall Museum, made of brass, and probably of late seventeenth-century date, has the end of one of the handles formed into a stopper. In the same collection there are several pairs of ember-tongs with handles or jaws decorated. In one or two a handle terminates in a hook, by which they could be hung up when not required for use. In that delightful book of pictures and gossip concerning old household and farming gear, and old-fashioned domestic plenishings of many kinds, called "Old West Surrey," Miss Jekyll figures two pairs of old ember-or brand-tongs. One of these quite deserves the praise which she bestows upon it. "Its lines," says Miss Jekyll, "fill one with the satisfaction caused by a thing that is exactly right, and with admiration for the art and skill of a true artist." These homely tongs are fashioned with a fine eye for symmetry, and, indeed, for beauty of design and perfect fitness for the intended purpose. The ends which were to pick up the coal are shaped like two little hands, while "the edges have slight mouldings and even a low bead enrichment. The circular flat on the side away from the projecting stopper has two tiny engraved pictures; on one side of the joint a bottle and tall wine-glass, on the other a pair of long clay pipes crossed, and a bowl of tobacco shown in section." This beautiful little implement bears the engraved name of its Surrey maker, and the date 1795.
From Chapter 7: The satirist wrote truly that after all the fashionable abstainers had been deducted, crowds remained, who smoked as heartily as their predecessors of a century earlier. The populace was still on the side of tobacco. This was well shown in 1732 when Sir Robert Walpole proposed special excise duties on tobacco, and brought a Bill into Parliament which would have given his excisemen powers of inquisition which were much resented by the people generally. The controversy produced a host of squibs and caricatures, most of which were directed against the measure. The Bill was defeated in 1733, and great and general were the rejoicings. When the news reached Derby on April 19 in that year, the dealers in tobacco caused all the bells in the Derby churches to be rung, and we may be sure that this rather unusual performance was highly popular. The withdrawal of the odious duty was further celebrated by caricatures and "poetical" chants of triumph. One of the leading opponents of the Bill had been a well-known puffing tobacconist named Bradley, who was accustomed to describe his wares as "the best in Christendom"; and when the Bill was defeated Bradley's portrait was published for popular circulation, above these lines:
Behold the man, who, when a gloomy band Of vile excisemen threatened all the land, Help'd to deliver from their harpy gripe The cheerful bottle and the social pipe. O rare Ben Bradley! may for this the bowl, Still unexcised, rejoice thy honest soul! May still the best in Christendom for this Cleave to thy stopper, and compleat thy bliss!
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From Chapter 8: No doubt smoking had its ups and downs at the Universities apart from the set of the main current of fashion. We learn from the invaluable Gunning that at Cambridge about 1786 smoking was going "out of fashion among the junior members of our combination-rooms, except on the river in the evening, when every man put a short pipe in his mouth." "I took great pains," he adds, "to make myself master of this elegant accomplishment, but I never succeeded, though I used to renew the attempt with a perseverance worthy of a better cause." About the same time Dr. Farmer was Master of Emmanuel and the Master was an inveterate smoker. Gunning says that Emmanuel parlour under Farmer's presidency was always open to those who loved pipes and tobacco and cheerful conversation—a very natural collocation of tastes. Farmer's silver tobacco-pipe is still preserved in his old college, while Porson's japanned snuff-box is at Trinity.
From Chapter 15: The older tobacconists were wont to assert, says Larwood, that the man in the moon could enjoy his pipe, hence "the 'Man in the Moon' is represented on some of the tobacconists' papers in the Banks Collection puffing like a steam engine, and underneath the words, 'Who'll smoake with ye Man in ye Moone?'" The Dutch, as every one knows, are great smokers, so a Dutchman has been a common figure on tobacconists' signs. In the eighteenth century a common device was three figures representing a Dutchman, a Scotchman and a sailor, explained by the accompanying rhyme:
The bill bearing this sign is in Banks's Collection, 1750. Another in the same collection, with a similar meaning but of more elaborate design, shows the three men, the central figure having his hands in his pockets and in his mouth a pipe from which smoke is rolling. The man on the left advances towards this central figure holding out a pipe, above which is the legend "Voule vous de Rape." Above the middle man is "No dis been better." The third man, on the right, holds out, also towards the central figure, a tobacco-box, above which is the legend "Will you have a quid."
